MODERN COLOR ATELIER SUPPLIES

4 KITS and Studio Set-Up 

Click this button if you would like a printable PDF version:

1. DRAWING KIT: Rough cost = $50

-Sketchbook (I like to use Fabriano gridded sketchbooks) 

-Graphite Pencils (assortment: HB, B, 2B, 4B, 6B) 

-Erasers 

-Pencil Sharpener 

-Rulers and Triangles (2 sets)

-Graphite Transfer Paper

2. COLLAGE KIT: Rough cost = $150

-Black Paper (Cardstock, Construction Paper, or Drawing Paper) 

-White Paper to Paint (thinner) (Ex: Drawing Paper, Printer Paper, etc) 

-White Paper to Mount on to (thicker) (Ex: Cardstock, Bristol, Watercolor Paper) 

-Glue Sticks 

-Scissors/ Xacto Knife 

-Rubber Brayer 

-Tracing Paper 

-Tubes of Black and White Holbein Acryla Gouache (Primary Black OR Jet Black OR other; Primary White OR Titanium White or other; 20ml or 40ml)

 -Tubes of Neutral Gray 1, 2, 3, 4 Holbein Acryla Gouache; 20ml or 40ml) 

-HIMI Gouche set of 24

-Water Media Brushes (HIMI set comes with a few)

-Palette Knife

-Pad of Disposable Palette Paper 

-Spray Bottle, Small Squeeze Bottle for Water 

-Container/Jar for Water (cleaning brushes)

3. CRAYON KIT: Rough cost = $85

-Caran d'Ache Neocolor II Aquarelle Artists' Pastel Set -Assorted Colors, Set of 30

-Caran d'Ache Neocolor II Aquarelle Artists' Pastel Individual crayons - 009(Black), 007(Dark gray), 005 (Gray), 003 (light gray), and 001 (white)

-Sketchbook (I like to use Fabriano gridded sketchbooks, same as Drawing Kit) 

-Rulers and Triangles (I like to have a 2nd, separate set for crayons)

4. OIL KIT: Rough cost = $550

(*see budget list below)

PAINT: 

I like to use Gamblin, Windsor & Newton (NOT Winton),

and Williamsburg paints. 

VALUE UNIT PIGMENTS: 

-Mars Black 

-Ivory Black 

-Titanium White 

FULL CHROMA PIGMENTS: 

-Mars Red 

-Mars Yellow 

-Cadmium Orange 

-Ultramarine Blue

-Phthalo Blue and/or Phthalo Turquoise

-Cadmium Red Light and/or Medium (or Napthol Red)

-Phthalo Green (also called Winsor Green)

-Sap Green 

-Cadmium Yellow Light (or Hansa Yellow Light)

-Indian Yellow

-Dioxazine Violet (also called Winsor Violet (WN) and Egyptian Violet (Williamsburg)

-Quinacridone Magenta 

[[ *BUDGET/ PRIORITY LIST: If the above list of oil pigments is overwhelming, please be sure to have at least the following, and add on the others as you can:

-Titanium White

-Mars Black

-Cad Red Med (or other red such as Napthol Red)

-Cad Yellow Light (or other yellow such as Hansa Yellow Light)

-Ultramarine or Phthalo Blue

-Quinacridone Magenta (or other magenta) ]]

MEDIUM: 

-Jug of Gamsol (odorless mineral spirits) 

-Small Squeeze Bottle and Funnel for filling, and/or small dish. 

-Small Jug of Refined Linseed Oil (optional)

-Small Jug of Dorland’s Wax Medium (optional)

TOOLS: 

-Oil brushes: Bristle AND Smooth (I prefer Rounds and Filberts; Recommended Sizes: 2, 4, 6) 

-Palette, I prefer Glass, but wood or other OK too. AT LEAST 16 x 20”

(If buying a sheet of glass, get tempered, ¼” thick, sanded around the edges. Place white paper under the glass, and a piece of cardboard or foam core under that, and then tape around the entire outside edge with packing or duct tape to attach. This will create a protective cushion for mixing.

-Razor Blade Scraper (for cleaning glass palette)

-Palette Knife (bent handle, spade or diamond shaped)

-Viva! Paper Towels, or Rags 

-Brush Cleaning Jar for Solvent 

-Disposable Gloves (I like Kirkland brand Nitrile gloves) 

SURFACES: 

For most Studies: 

-Arches Oil Paper (Pads of 12 x 16”), or Pad of Primed Canvas Paper, or other surfaces as desired. 

For Extended Projects: 

-Stretched Canvases and/or Larger Sheets of Arches Oil Paper (I recommend ordering several single sheets of the 16 “ x 20” Arches Oil Paper. They also have 22” x 30” sheets if you like to work even larger.) 

-Drawing Boards/ Gator Boards/ Masonite Boards for mounting your Arches or  Canvas Paper to while working.

-White Artists Tape, 1/2” or other 

-Blue Hardware Tape

-24” Ruler or longer

See this VIDEO for Mounting your Surface.


(If you are using Canvas Paper and/or Stretched Canvas, it is always a good idea to experiment with additional layers of Gesso to create a surface to your liking.) 

-Acrylic Gesso, White 

-Hardware Brush for Applying 

STUDIO SET-UP:  

-Easel (Standing or Desktop) or Pochade Box and Tripod, etc. I also love to just work flat on my table top for many of my smaller pieces. 

-View Finder 


-Still-Life Box/ “Theater” (Foamcore, Cardboard, Gator Board, Wood, etc) 

-Clamp Light or Other moveable light (I like a warm LED bulb for my theater)

-Start collecting simple, geometric forms and objects for your Still Life Theater.